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	<title>Comments on: Which Books Should Every Lover of Theater Read?</title>
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	<description>Theatre Information</description>
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		<title>By: Dave Warner, PWLT</title>
		<link>/2008/04/which-books-should-every-lover-of-theater-read/#comment-21</link>
		<dc:creator><![CDATA[Dave Warner, PWLT]]></dc:creator>
		<pubDate>Sun, 01 Jun 2008 15:38:52 +0000</pubDate>
		<guid isPermaLink="false">http://www.showbizradio.net/?p=2243#comment-21</guid>
		<description><![CDATA[Stage Management Handbook by Daniel Ionazzi

Should be required reading for anyone in theater--onstage, backstage, front of house, anyone.

Goes into all the terminology, theater facility setup, how to run rehearsals, to organize props, to schedule actors, how to make notes on scripts that actually help actors and tech folks out, etc. Very, very good read. I have bought this book several times for folks helping out on our shows.]]></description>
		<content:encoded><![CDATA[<p>Stage Management Handbook by Daniel Ionazzi</p>
<p>Should be required reading for anyone in theater&#8211;onstage, backstage, front of house, anyone.</p>
<p>Goes into all the terminology, theater facility setup, how to run rehearsals, to organize props, to schedule actors, how to make notes on scripts that actually help actors and tech folks out, etc. Very, very good read. I have bought this book several times for folks helping out on our shows.</p>
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		<title>By: Stephen Yednock</title>
		<link>/2008/04/which-books-should-every-lover-of-theater-read/#comment-20</link>
		<dc:creator><![CDATA[Stephen Yednock]]></dc:creator>
		<pubDate>Thu, 01 May 2008 19:41:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.showbizradio.net/?p=2243#comment-20</guid>
		<description><![CDATA[&quot;Let&#039;s Put on a Musical!: How to Choose the Right Show for Your School, Community, or Professional Theater&quot; by Peter Filichia

This book is an absolute must for anyone who&#039;s trying decide what show their theater should do, from the high school drama teacher to the pro, but it&#039;s also fun to read about shows you may have never heard about or won&#039;t necessarily see any time soon. It&#039;s filled with various shows grouped into different categories, for example shows that feature a lot of dance, showcase a star performer or would be cheap to produce.  Each show features a short synopsis, a list of the show&#039;s assets and liabilities, what type of characters are needed, as well as dance, set, costume and instrumental requirement. They also add in suggestions to directors/producers with insider tips for each show. It&#039;s also a valuable tool for the actor since I&#039;ve used it so many times as a starting point to help me decide whether or not to audtion for a paricular musical and  what part to aim for when I audition. There are two editions with the last one coming out last year. Some of the shows from the first edition have been edited out of the second, but the second edition includes a large amount of newer shows such as &quot;Ragtime&quot; or &quot;Urinetown&quot;. Highly recommended!]]></description>
		<content:encoded><![CDATA[<p>&#8220;Let&#8217;s Put on a Musical!: How to Choose the Right Show for Your School, Community, or Professional Theater&#8221; by Peter Filichia</p>
<p>This book is an absolute must for anyone who&#8217;s trying decide what show their theater should do, from the high school drama teacher to the pro, but it&#8217;s also fun to read about shows you may have never heard about or won&#8217;t necessarily see any time soon. It&#8217;s filled with various shows grouped into different categories, for example shows that feature a lot of dance, showcase a star performer or would be cheap to produce.  Each show features a short synopsis, a list of the show&#8217;s assets and liabilities, what type of characters are needed, as well as dance, set, costume and instrumental requirement. They also add in suggestions to directors/producers with insider tips for each show. It&#8217;s also a valuable tool for the actor since I&#8217;ve used it so many times as a starting point to help me decide whether or not to audtion for a paricular musical and  what part to aim for when I audition. There are two editions with the last one coming out last year. Some of the shows from the first edition have been edited out of the second, but the second edition includes a large amount of newer shows such as &#8220;Ragtime&#8221; or &#8220;Urinetown&#8221;. Highly recommended!</p>
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		<title>By: Leta Hall</title>
		<link>/2008/04/which-books-should-every-lover-of-theater-read/#comment-19</link>
		<dc:creator><![CDATA[Leta Hall]]></dc:creator>
		<pubDate>Thu, 24 Apr 2008 12:42:15 +0000</pubDate>
		<guid isPermaLink="false">http://www.showbizradio.net/?p=2243#comment-19</guid>
		<description><![CDATA[&quot;Act I&quot; by Moss Hart.  The book (a fairly thick one) describes his early years getting established on the Broadway of the 1930s.  My favorite Hart quote (not from the book, I just like it) is his curtain speech before the opening of &quot;Camelot,&quot; which he directed:  “Camelot is lovely. Camelot is going to be glorious. Camelot is long. You’re going to be a lot older when you get out of here tonight.”]]></description>
		<content:encoded><![CDATA[<p>&#8220;Act I&#8221; by Moss Hart.  The book (a fairly thick one) describes his early years getting established on the Broadway of the 1930s.  My favorite Hart quote (not from the book, I just like it) is his curtain speech before the opening of &#8220;Camelot,&#8221; which he directed:  “Camelot is lovely. Camelot is going to be glorious. Camelot is long. You’re going to be a lot older when you get out of here tonight.”</p>
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