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	<title>Comments on: Should You Memorize or Read Text?</title>
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		<title>By: Jim</title>
		<link>/2009/03/should-you-memorize-or-read-text/#comment-41</link>
		<dc:creator><![CDATA[Jim]]></dc:creator>
		<pubDate>Tue, 10 Mar 2009 20:41:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.showbizradio.net/?p=3577#comment-41</guid>
		<description><![CDATA[I prefer to do both as well.  I memorize letters to be read but also have a prop with the writing laid out.  Sometimes props get lost, or altered if the props master or fellow actors are feeling mischevious.

I share Jay&#039;s belief that memorizing a letter beforehand does not dilute the realism. It&#039;s up to the actor to make the letter-reading realistic, whether they&#039;re actually reading it or pulling the words out of their memory.  It all falls to the performance, Method or otherwise.

Thanks for the column!]]></description>
		<content:encoded><![CDATA[<p>I prefer to do both as well.  I memorize letters to be read but also have a prop with the writing laid out.  Sometimes props get lost, or altered if the props master or fellow actors are feeling mischevious.</p>
<p>I share Jay&#8217;s belief that memorizing a letter beforehand does not dilute the realism. It&#8217;s up to the actor to make the letter-reading realistic, whether they&#8217;re actually reading it or pulling the words out of their memory.  It all falls to the performance, Method or otherwise.</p>
<p>Thanks for the column!</p>
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		<title>By: Jay Tilley</title>
		<link>/2009/03/should-you-memorize-or-read-text/#comment-40</link>
		<dc:creator><![CDATA[Jay Tilley]]></dc:creator>
		<pubDate>Sun, 08 Mar 2009 16:29:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.showbizradio.net/?p=3577#comment-40</guid>
		<description><![CDATA[Great column Ty. I&#039;ve enjoyed reading all your columns and found this one particularly interesting since I am currently performing in David Mamet&#039;s two-character drama Oleanna. In Oleanna, my character has to read from a student&#039;s paper and also from a tenure committee report.

You are absolutely correct that it&#039;s completely up to the individual actor. Personally, I prefer to do both and that&#039;s what I did in Oleanna. I memorized the lines just in case something happened to the props, but I definitely feel that actually reading the reports adds a sense of realism to my character and to the moment.

And I don&#039;t think that having memorized the lines beforehand in any dilutes that realism. It&#039;s just a safety net. 

I do, however, think you were wise not to memorize Love Letters because reading love letters is very different from reading a report.

Keep up the great writing and acting sir! :-)]]></description>
		<content:encoded><![CDATA[<p>Great column Ty. I&#8217;ve enjoyed reading all your columns and found this one particularly interesting since I am currently performing in David Mamet&#8217;s two-character drama Oleanna. In Oleanna, my character has to read from a student&#8217;s paper and also from a tenure committee report.</p>
<p>You are absolutely correct that it&#8217;s completely up to the individual actor. Personally, I prefer to do both and that&#8217;s what I did in Oleanna. I memorized the lines just in case something happened to the props, but I definitely feel that actually reading the reports adds a sense of realism to my character and to the moment.</p>
<p>And I don&#8217;t think that having memorized the lines beforehand in any dilutes that realism. It&#8217;s just a safety net. </p>
<p>I do, however, think you were wise not to memorize Love Letters because reading love letters is very different from reading a report.</p>
<p>Keep up the great writing and acting sir! 🙂</p>
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