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	<title>Comments on: Be Off-book When?</title>
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		<title>By: Bill Aitken</title>
		<link>/2011/02/be-off-book-when/#comment-114</link>
		<dc:creator><![CDATA[Bill Aitken]]></dc:creator>
		<pubDate>Tue, 22 Mar 2011 15:11:53 +0000</pubDate>
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		<description><![CDATA[I totally agree about the actor and the lines.  No disgareement there.

Where I do disagree is with the notion that at a certain time before you open you give up on fixing somehting. If the director feels that a scene isnt working then the director , cast and crew should keep on working on it until it does work , right on up to places. And thats where being off book sooner rather then later helps as the better you know your lines the easer it is to make adjustments.

As to actors asking questions when something isnt working , the way I solve this when I direct is easy. I tell the actors dont ask me if you can do something just do it. If I dont like it I will tell you. They have free rein during rehearsal to find fixes as long as it doesnt involve the safety of the cast and crew.]]></description>
		<content:encoded><![CDATA[<p>I totally agree about the actor and the lines.  No disgareement there.</p>
<p>Where I do disagree is with the notion that at a certain time before you open you give up on fixing somehting. If the director feels that a scene isnt working then the director , cast and crew should keep on working on it until it does work , right on up to places. And thats where being off book sooner rather then later helps as the better you know your lines the easer it is to make adjustments.</p>
<p>As to actors asking questions when something isnt working , the way I solve this when I direct is easy. I tell the actors dont ask me if you can do something just do it. If I dont like it I will tell you. They have free rein during rehearsal to find fixes as long as it doesnt involve the safety of the cast and crew.</p>
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		<title>By: Ty Unglebower</title>
		<link>/2011/02/be-off-book-when/#comment-113</link>
		<dc:creator><![CDATA[Ty Unglebower]]></dc:creator>
		<pubDate>Sat, 19 Feb 2011 19:40:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.showbizradio.net/?p=6209#comment-113</guid>
		<description><![CDATA[I agree, but sadly, that too is something I have found is quite common, particular in amateur theatre productions. It bad enough when the director feels they need to change a scenes 4 times in the last 2 days of rehearsal. But when an actor is constantly asking and suggesting things and holding up the scene, that is a horse of a different color.]]></description>
		<content:encoded><![CDATA[<p>I agree, but sadly, that too is something I have found is quite common, particular in amateur theatre productions. It bad enough when the director feels they need to change a scenes 4 times in the last 2 days of rehearsal. But when an actor is constantly asking and suggesting things and holding up the scene, that is a horse of a different color.</p>
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		<title>By: Mike Urciolo</title>
		<link>/2011/02/be-off-book-when/#comment-112</link>
		<dc:creator><![CDATA[Mike Urciolo]]></dc:creator>
		<pubDate>Sat, 19 Feb 2011 18:36:57 +0000</pubDate>
		<guid isPermaLink="false">http://www.showbizradio.net/?p=6209#comment-112</guid>
		<description><![CDATA[David: I admire your patience with this semi-pro actor, but where was the director when this was happening? After the first night, the director should have stepped in and demanded that this guy learn the lines. 

Ty – in your last paragraph, you mention the “unprepared” asking questions of the director every five minutes. That annoys me almost as much as the actor who hasn’t got his lines down on time. After a few weeks of rehearsal, and the director has laid out the landscape of the play the way he/she views it, don’t start asking questions or suggesting changes out there. 24 hours before opening night is NOT the time to say, “Hey – do you think we could try this?”]]></description>
		<content:encoded><![CDATA[<p>David: I admire your patience with this semi-pro actor, but where was the director when this was happening? After the first night, the director should have stepped in and demanded that this guy learn the lines. </p>
<p>Ty – in your last paragraph, you mention the “unprepared” asking questions of the director every five minutes. That annoys me almost as much as the actor who hasn’t got his lines down on time. After a few weeks of rehearsal, and the director has laid out the landscape of the play the way he/she views it, don’t start asking questions or suggesting changes out there. 24 hours before opening night is NOT the time to say, “Hey – do you think we could try this?”</p>
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	<item>
		<title>By: Ty Unglebower</title>
		<link>/2011/02/be-off-book-when/#comment-111</link>
		<dc:creator><![CDATA[Ty Unglebower]]></dc:creator>
		<pubDate>Thu, 17 Feb 2011 15:27:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.showbizradio.net/?p=6209#comment-111</guid>
		<description><![CDATA[That is the nightmare scenario to which I was referring exactly. No excuses.]]></description>
		<content:encoded><![CDATA[<p>That is the nightmare scenario to which I was referring exactly. No excuses.</p>
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		<title>By: David Bayles</title>
		<link>/2011/02/be-off-book-when/#comment-110</link>
		<dc:creator><![CDATA[David Bayles]]></dc:creator>
		<pubDate>Thu, 17 Feb 2011 14:56:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.showbizradio.net/?p=6209#comment-110</guid>
		<description><![CDATA[Spot on Ty. Nothing can kill a production like an actor who hasn&#039;t done their work. I suffered through this on one particualr show I was in all through rehearsal. I had the opening scene with an actor who would tell me rehearsal after rehearsal, &quot;don&#039;t worry, I&#039;ll be ready opening night.&#039; Well opening night came and this guy comes to me and says, &quot;I don&#039;t know my lines completly, so cover the best you can, we&#039;ll get through it and I&#039;ll be ready tomorrow.&quot; Tomorrow never came, for 12 performances, our opening scene was improv. I never knew what he was going to say or do and each time it was different. My skills in improv helped me get through the run and I don&#039;t believe the audience ever knew, but, that is one actor I know I won&#039;t work with again. So I say a big YES, for any actor out there who is last minute, learn your stuff or leave.]]></description>
		<content:encoded><![CDATA[<p>Spot on Ty. Nothing can kill a production like an actor who hasn&#8217;t done their work. I suffered through this on one particualr show I was in all through rehearsal. I had the opening scene with an actor who would tell me rehearsal after rehearsal, &#8220;don&#8217;t worry, I&#8217;ll be ready opening night.&#8217; Well opening night came and this guy comes to me and says, &#8220;I don&#8217;t know my lines completly, so cover the best you can, we&#8217;ll get through it and I&#8217;ll be ready tomorrow.&#8221; Tomorrow never came, for 12 performances, our opening scene was improv. I never knew what he was going to say or do and each time it was different. My skills in improv helped me get through the run and I don&#8217;t believe the audience ever knew, but, that is one actor I know I won&#8217;t work with again. So I say a big YES, for any actor out there who is last minute, learn your stuff or leave.</p>
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