<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>Comments on: Costumes and Comfort</title>
	<atom:link href="/2012/04/costumes-and-comfort/feed/" rel="self" type="application/rss+xml" />
	<link>/2012/04/costumes-and-comfort/</link>
	<description>Theatre Information</description>
	<lastBuildDate>Fri, 18 Jul 2014 23:55:37 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	
	<item>
		<title>By: Dave Bayles</title>
		<link>/2012/04/costumes-and-comfort/#comment-132</link>
		<dc:creator><![CDATA[Dave Bayles]]></dc:creator>
		<pubDate>Thu, 17 May 2012 13:19:02 +0000</pubDate>
		<guid isPermaLink="false">http://showbizradio.net/?p=8192#comment-132</guid>
		<description><![CDATA[Being a costumer is nearly a thankless job in theater. Like Maureen I have been on both sides of the sewing machine. Some actors I have found can be very fussy, others never saying a word. I think the idea is be as flexible as you can. There will be times, especially in large cast shows, where some things just won&#039;t fit perfectly. When I am on the recieving end and find my costume &quot;not perfect&quot; I try and make those minor adjustments myself, major things do however need to go back to the costumer. Most community theater is low budget. My advice: work together with costumers, and try not to be the &quot;diva&quot;.]]></description>
		<content:encoded><![CDATA[<p>Being a costumer is nearly a thankless job in theater. Like Maureen I have been on both sides of the sewing machine. Some actors I have found can be very fussy, others never saying a word. I think the idea is be as flexible as you can. There will be times, especially in large cast shows, where some things just won&#8217;t fit perfectly. When I am on the recieving end and find my costume &#8220;not perfect&#8221; I try and make those minor adjustments myself, major things do however need to go back to the costumer. Most community theater is low budget. My advice: work together with costumers, and try not to be the &#8220;diva&#8221;.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Maureen Roult</title>
		<link>/2012/04/costumes-and-comfort/#comment-130</link>
		<dc:creator><![CDATA[Maureen Roult]]></dc:creator>
		<pubDate>Fri, 06 Apr 2012 21:54:08 +0000</pubDate>
		<guid isPermaLink="false">http://showbizradio.net/?p=8192#comment-130</guid>
		<description><![CDATA[Well said.  Having been on both sides of the sewing machine, as it were, a costumer wants you to look good but doesn&#039;t want you to be miserable.  The costumer won&#039;t know if something scratches, or you&#039;re allergic to wool, or a hook is digging into your neck unless you say something.

If it&#039;s something you&#039;re capable of fixing, do make the offer.  However, be prepared for the costumer to want to make the adjustment her/himself.]]></description>
		<content:encoded><![CDATA[<p>Well said.  Having been on both sides of the sewing machine, as it were, a costumer wants you to look good but doesn&#8217;t want you to be miserable.  The costumer won&#8217;t know if something scratches, or you&#8217;re allergic to wool, or a hook is digging into your neck unless you say something.</p>
<p>If it&#8217;s something you&#8217;re capable of fixing, do make the offer.  However, be prepared for the costumer to want to make the adjustment her/himself.</p>
]]></content:encoded>
	</item>
</channel>
</rss>
