At the end of the day, Milburn Stone has delivered an enjoyable evening of the traditional murder mystery comedy that is missing from today’s theatre’s repertoire.
As the more somber and sinister thoughts of each character crept through into the finale, Wakefield’s performance of Rebel Without a Cause left the audience in shock and dismay, ending with a conclusive and melancholy tone ringing through the audience.
Constellation Theatre company’s production of Scapin misses no opportunity to combine visual, physical, verbal, and musical humor to produce one of those roll in the aisles sort of evenings.
WATCH (Washington Area Theatre Community Honors) announces the nominations for the 14th annual WATCH Awards at a ceremony at the Birchmere in Alexandria on Sunday evening, January 19th at 7:30.
Written and performed by Daniel Beaty, The Tallest Tree in the Forest is one of the most ambitious and complex examples of the first-person biographical show.
With a great script, a truly impressive set, and a few stellar performances, an enjoyable evening is a certain result.
The play is very funny, in a bitter sort of way, though the plot ultimately becomes rather convoluted in its attempt to provide a satisfying ending.
The great virtue of Bang the Drum Slowly is that it presents a story of an athlete’s fatal illness in a way that does not turn into a four-hanky sports weepy.
Synetic’s Twelfth Night is punctuated with an all out assault by dancers with ebullient polish. They want you to just enjoy and marvel at what they can do with their enthusiasm of youth, no matter what their chronological age.
Dominion Stage’s Urinetown hits enough of the show’s high points to make for an enjoyable evening.