The 39 Steps was an engaging farce played well. Don’t go into this trying to figure out who the spy is, go into this expecting to have a great time.
Bishop DuBourg’s Godspell shared the enduring message of Jesus with the audience using lively songs and stories from a vibrant cast.
This play, because it is so complex and mature, definitely challenged both the cast and crew — but Langley was able to tell the gloomy story of The Crucible with their own distinctive voice.
Northwest’s production of Annie proved that it is a “Hard Knock Life” for orphan Annie.
A curious fifteen year-old boy named Eugene clutches his baseball, and holds on for dear life, as he learns about life, liberty, and girls, in Francis Howell North’s hilarious production of Brighton Beach Memoirs.
Hairspray is good; it is solid. There are some top-notch performances and some WOW moments, but it is not quite the same home run that the theatre nailed in their last several shows.
People who enjoy tuning into the exploits of Miss Marple or Hercule Poirot on the PBS Mystery series will enjoy Little Theater of Alexandria’s take on Agatha Christie’s Witness for the Prosecution.
Catholic University Drama’s production of The Crucible is a solid collegiate production that is definitely worth seeing.
As Holocaust testimony and memoir fade into lore, our new challenge emerges in the first person survival stories of hostages and terrorism.
The 2012 Helen Hayes Awards were announced on Monday evening, April 23rd, 2012 at the Warner Theatre in Washington DC.