Taking Flight Theatre’s The Fox On the Fairway had potential and at times some humor, but overall did not live up to the past high standard that they have been known to bring to Loudoun County.
There are just not going to be enough superlatives to describe the performances. Each actor adds to the three dimensionality of the family dynamics.
In some moments, Arena Stage’s large, shallow, rectangular pool — reportedly the largest used in any production of the show — is used to striking effect.
Make no mistake; it would be a mistake to miss this Confession.
Schiff’s performance is a clinic in how an actor can give a character profound emotional and dramatic force without ever resorting to histrionics.
The story is novel, and Chapin’s music is catchy. Cotton Patch Gospel is a hand-clapping, foot-tapping good ol’ time.
Francis Howell’s production of Elephant’s Graveyard was an emotional, impactful, and memorable performance.
Filled with freshman and first-timers, the cast and crew of Back To The 80s: The Totally Awesome Musical put on a bright, fun production.
Weaving together comedy and tragedy, Woodbridge’s production of Cyrano ultimately depicted the woes of unrequited love, triumph of true affection, and the simple fact, as Cyrano and Roger learn, that “there are some things the heart cannot disguise.”
The great virtue of Good People is its ability to put a vivid, emotional, human face on what sometimes can seem an abstract policy discussion or merely the subject of a 30-second political spot.